Joseph Patrick Moore's

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Creative Loafing – April 2004 April 5, 2004

Creative Loafing April 2004

Creative Loafing-vibes-sit and spin
Charlotte, NC March 2004
Review by Samir Shukla

Creative Loafing Site (Charlotte, NC)

Joseph Patrick Moore's Drum & Bass Society - Volume 1

Joseph Patrick Moore's Drum & Bass Society - Volume 1

 

Joseph Patrick Moore has served as a member of Col. Bruce Hampton’s Fiji Mariners and Blueground Undergrass. The bassist and multi-insrumentalist, currently based in Atlanta, produces solo records and also appears on a numerous projects as a sideman. Moore has a knack for bringing disparate musicians together into a collective that somehow manages to click. In VOLUME 1, the guest coax Moore’s seven original compositions into uptempo pop, contemporary jazz, and world fusion. There is also exotica in RAINDANCE, funk with CHEESEFROG FUNK, and groove-rock hints in HEAVY THINGS.  Sure, there are tracks that would be home in a lounge somewhere, lurkin in obscurity, but most of the record works quite well. The engaging takes on several covers include The Fixx’s ONE THING LEADS TO ANOTHER, where George and Caroline Pond from Snake Oil Medicine Show add their own obtuse dimension. The Specials GHOST TOW gets a jazzy treatment and covers of Phish, Men at Work and Tony Williams also get refurbished. Moore’s bass lines are supple, funky and don’t overwhelm the rest of the crew playing slide guitars, violin, horns, woodwinds and mandolin. His bass expecially shines in a dedication to Herbie Hancock simply entitled HERBIE.

Track to burn: GHOST TOWN
Grade: B

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Independent Music – May 2002 May 22, 2002

Independent Music – May 2002
Review by John Scalzi

Alone Together

Alone Together

Bassist Joseph Patrick Moore has put together a contemporary music album of all bass – not just bass as the highlighted instrument, but all bass all the time. However, he mixes up the bass sounds by using upright acoustic bass, picked and bowed, eletric bass, and electronically processed bass to create a whole spectrum of noise, in several genres of music, from ambient-like to jazzy. At its best (album opener WATERFALL) it creates a sonically-arresting space. At its least effective, it’s elevator music (note to JPM: Nice of you to cover Bobby McFerrin’s DRIVE, but while you are a fine bassist, you’re really not a singer). Fortunately, there are  rather more good moments than bad ones.  Bassists in particular should enjoy this album as example of what their uderappreciated instrument can do, the rest of us can simply enjoy Moore’s ability to turn a single instrument into an entire band’s worth of sound

 

An Honest Tune – June 2001 June 21, 2001

An Honest Tune, June/2001
Review by Bryan Irby

Soul Cloud

Soul Cloud

New BlueGround UnderGrass bassist Joseph Moore (ex-Fiji Mariners/Planet Zambee) has just released a second solo album on his own independent label MMP. SOUL CLOUD continues in the same contemporary jazz vein as his 1996 release NEVER NEVER LAND. While much of this material is a bit too smooth for my jazz tastes there are some definite funky highlights like ASHES TO ASHES, MUMPHIS COSANOSTRA, and DATZ IT, all 3 which feature Yonrico Scott (Derek Trucks Band) on drums and Jimmy Herring on guitar. The simpler, bass-centric tunes on the album are also among the best tracks. Pause#3 is a bass, sitar & drum free-jazz piece dedicated to Miles Davis Drummer Tony Williams (Pause 1 and 2 on NEVER NEVER LAND were dedicated to Miles Davis and Jaco Pastorius). BIG BUTT BASS is exactly that: in-yer-face solo slap bass, and there’s a nice bass & saxophone take on Led Zepplin’s GOING TO CALIFORNIA. These tunes and the hidden track ANOTHER DAY ANOTHER TIME ( a beautiful rainy-day-in-Memphis piece) outshine the title track and a cover of DUST IN THE WIND which I find unlistenable.

Catch Joseph Patrick Moore on tour with BlueGround UnderGrass or his own group.

 

 
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