Joseph Patrick Moore's

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HotBands.com – March 2004 March 1, 2004

hotbands.com

Joseph Patrick Moore’s Drum & Bass Society Vol 1. – CD Review
By Patrick Ferris

 

Joseph Patrick Moore's Drum & Bass Society - Volume 1

Joseph Patrick Moore's Drum & Bass Society - Volume 1

 

 

Joseph Patrick Moore aka JPM is a bass virtuoso originally from Knoxville, Tennessee, now residing in Atlanta, Georgia. The winner of multiple national awards and scholarships for music excellence, JPM’s musical track record reads like a who’s who of the jazz world, and has made him one of the most sought-after studio bassists on the East Coast.

JPM’s most recent CD, Drum & Bass Society Vol 1. is an eclectic selection of arrangements in the genre of fusion jazz. JPM has assembled some of the finest studio heavies to create what I would call ‘A Musician’s Album’. Drum & Bass Society Vol 1. might be beyond the intellectual grasp of the average Joe, but is ideal for musicians wanting to hear cutting edge fusion arrangements and precision instrumentation with an emphasis on JPM’s incredible bass chops. Influences from Miles Davis, Herbie Hancock and Weather Report are felt as well as elements of hip-hop and sampling. There is even a concept feel that gives a new spin on this particular flavor of acid-jazz fusion.

For more information on Joseph Patrick Moore’s Drum & Bass Society, check out his website:

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AllAboutJazz.com – December 2000 December 1, 2000

 

AllAboutJazz.com
by Todd S. Jenkins

Soul Cloud

Soul Cloud

Versatile Atlanta-based bassist Moore’s new album is packed with fun grooves from the word go. His technique and ideas are steeped in the electric bass developments of the past thirty years, but with a fresh contemporary edge.

The band fries up a hot passel of funk on track #1. The horns are hot and deep into the boogie, Moore’s envelope-filtered bass adds a Bootsy Collins vibe, and Aquarium Rescue Unit guitarist Jimmy Herring tempers the sauce with a cupful of hot bluesiness. Tracks #2 and #5 give the expected nod to Jaco; track #3 begins with thumping worthy of Marcus Miller and evolves into pretty double-stops. These tracks especially flaunt Moore’s studio-quality chops.

Though most of their names are unfamiliar, Moore’s sidemen are complementary, empathetic and well chosen. Pianist Bill Anschell lays down a Ramsey Lewis-style groove on #7 and ‘Buzz’ Amato boots the organ around the floor before trumpeter Vance Thompson enters with soulful lyricism. Moore closes the disc with covers of classic songs by Led Zeppelin and Kansas. The former is driven smoothly along by Moore’s taut harmonics and fingerstyle melodicism, while the latter floats on an unexpectedly successful Latin jazz beat. Palmer Williams‘ vocals on the last tune are notably fluid and enjoyable. Joseph Patrick Moore is definitely a talent worth hearing, and this well-made disc will be of particular interest to electric bass aficionados.

 
Track listing: Datz It; Ashes To Ashes; Big Butt Bass; Soulcloud; Pause #3; Mumphis Cosanostra; Cosmic Dance; Going To California; Dust In The Wind.

Personnel: Moore, acoustic and electric basses, shaker; Jimmy Herring, guitar; Yonrico Scott, Phillip Smith, drums; Bill Anschell, Bob Marbach, piano; Frank “Buzz” Amato, keyboards; Vance Thompson, trumpet and flugelhorn; Stan Cherednik, alto and soprano saxes; Bryan Lopes, tenor sax; Palmer Williams Jr., vocals.

Style: Fusion/Progressive Rock 
Published: December 01, 2000

 

 
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