Joseph Patrick Moore's

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Sea Of Tranquility – January 18, 2006 January 18, 2006

 

 

Live in 05'

Live in 05'

Bassist Joseph Patrick Moore’s latest album Live in 05 is a fun and spirited jazz-fusion collection of songs recorded at This House Rocks in Atlanta, Georgia on April 2nd, 2005. Moore has been busy over the last few years, putting out a few albums of his own as well as appearing on various other artist’s recordings. Here, he and his crack band of Al Smith on keyboards, drummer Jon Chalden, EWI player Al Mcspadden, and percussionist Emrah Kotan really give a five performance on eleven tracks of smokin’ and funky fusion, melodic cool jazz, and progressive tinged improvisations. 

Moore himself is a very smooth player with some serious chops, whether he is laying down deep grooves or lean melodic solos on electric, fretless, or double bass. Fans of Victor Bailey, Gary Willis, John Pattitucci, Stanley Clarke, and Marcus Miller, will instantly dig Moore’s energetic style. Although there are plenty of great bass solos on the album, the live setting affords his bandmates to also get in on the action, especially keyboard player Smith, who launches into a wild synth frenzy on the funky “Gypsy Moon Father Sun”. He also provides a nice melodic foundation in which Moore can dig into some serious popping bass lines on the light jazz piece “Fall”. Drummers will love the percussion/drum spotlight “Drum Dance”, which allows Chalden and Kotan some room to show off before the song segues into the fine “Datz It (version 2005)”, a song with plenty of funk bass melodies and 70’s styled electric piano.

Ultimately it comes down to compositions, and Moore is no slouch in that department. These are all memorable tunes with catchy melodies, which go along just fine with the solid chops of the band. So if you in the mood for some well played and melodic modern jazz fusion, you can’t go wrong with Live in 05.
Track Listing 
1. SoulCloud 
2. Mystery 
3. Prayer of Solitude 
4. Chief Dagga 
5. Gypsy Moon Father Sun 
6. Bless You 
7. Fall 
8. Bebop Charlie 
9. What? 
10. Drum Dance 
11. Datz It (version 2005)

Added: January 18th 2006
Reviewer: Pete Pardo
Score: 

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AllAboutJazz.com – December 2000 December 1, 2000

 

AllAboutJazz.com
by Todd S. Jenkins

Soul Cloud

Soul Cloud

Versatile Atlanta-based bassist Moore’s new album is packed with fun grooves from the word go. His technique and ideas are steeped in the electric bass developments of the past thirty years, but with a fresh contemporary edge.

The band fries up a hot passel of funk on track #1. The horns are hot and deep into the boogie, Moore’s envelope-filtered bass adds a Bootsy Collins vibe, and Aquarium Rescue Unit guitarist Jimmy Herring tempers the sauce with a cupful of hot bluesiness. Tracks #2 and #5 give the expected nod to Jaco; track #3 begins with thumping worthy of Marcus Miller and evolves into pretty double-stops. These tracks especially flaunt Moore’s studio-quality chops.

Though most of their names are unfamiliar, Moore’s sidemen are complementary, empathetic and well chosen. Pianist Bill Anschell lays down a Ramsey Lewis-style groove on #7 and ‘Buzz’ Amato boots the organ around the floor before trumpeter Vance Thompson enters with soulful lyricism. Moore closes the disc with covers of classic songs by Led Zeppelin and Kansas. The former is driven smoothly along by Moore’s taut harmonics and fingerstyle melodicism, while the latter floats on an unexpectedly successful Latin jazz beat. Palmer Williams‘ vocals on the last tune are notably fluid and enjoyable. Joseph Patrick Moore is definitely a talent worth hearing, and this well-made disc will be of particular interest to electric bass aficionados.

 
Track listing: Datz It; Ashes To Ashes; Big Butt Bass; Soulcloud; Pause #3; Mumphis Cosanostra; Cosmic Dance; Going To California; Dust In The Wind.

Personnel: Moore, acoustic and electric basses, shaker; Jimmy Herring, guitar; Yonrico Scott, Phillip Smith, drums; Bill Anschell, Bob Marbach, piano; Frank “Buzz” Amato, keyboards; Vance Thompson, trumpet and flugelhorn; Stan Cherednik, alto and soprano saxes; Bryan Lopes, tenor sax; Palmer Williams Jr., vocals.

Style: Fusion/Progressive Rock 
Published: December 01, 2000

 

Guitar World – 1994 June 19, 1994

Guitar World, June 1994
Hometown Heroes
Mike Varney

GuitarWorld.com

Joseph Patrick Moore – Memphis, TN

MAIN BASS: Pedulla 5 string, Kohler Upright
INFLUENCES: Miles Davis, Donald Brown, Marcus Miller 
STYLE: jazz, r&b, Hip Hop

“A musician with a broad musical background.  Joseph Moore began playing saxophone in elementary school and played drums  in the high school band. At 16, he took up bass guitar and began playing live just one year later. After high school, Joseph began playing upright bass and majored in music at the University of Tennessee. Over the last four years, Joseph has garnered acclaim for his playing in a variety of settings, including symphony orchestras and with artists as diverse as jazz rapper Gil Scott Heron and unrepentant folky Judy Collins. He’s also been working on his music performance degree at Memphis State University. On his four song demo tape Joseph plays electric bass keyboards and guitars, as well as programming the drum machines. His songs feature innovative changes which maintain a flowing groove.  Wheter he’s slapping, poppin, slidding, flawing or finessing. Fans of contemporary jazz fusion bass work should find his demo to be of great interest.” – Mike Varney

 

 
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