As of January 20, 2006: We have stopped adding JPM reviews for all past and future releases/live shows…we can’t keep up 🙂
Inside Savannah – November 2000 November 1, 2000
Inside Savannah , November 2000
Review by Jeff McDermott
What does a bassist do when he’s leading the session? Stay in the rhythm section and you’re too subdued. Work the front of the arrangement and you’re showboating. Moore, a former member of Col. Bruce Hampton’s groups the Fiji Mariners and Planet Zambee tries to ride the fence on his second solo CD. It’s mostly a mainstream jazz effort, showing some tasteful interplay with bass and brass on cuts like DATZ IT. Things dangerously approach fusion when guests like guitarist Jimmy Herring does the yank-me-crank-me on ASHES TO ASHES (not the Bowie song). Fans of Joseph’s long-strange-trip workouts with the Col. might find this a nice CD to play during dinner.
Bassically.net – October 2000 October 3, 2000
Bassically.net, October 2000
Review by Cliff Engel
Joseph Patrick Moore, former Col. Bruce Hampton bassist, released SOULCLOUD, his second solo instrumental jazz cd on October 10, 2000. Soulcloud is the follow-up effort to Moore’s 1996 independently released debut, NEVER NEVER LAND. As a freelance bassist, Moore has displayed the diversity of his musical talents in a wide array of musical genres including various form of jazz, rock, and blues music to name just a few. On SoulCloud Moore continues to demonstrate his versatility in a number of group settings including solo, duo, trio, and full blown ensemble settings. Moore, a multi-instrumentalist, switches seemingly effortlessly between fretted and fretless electric and upright basses.
Right from its onset you’ll notice that SoulCloud is an extremely well produced offering featuring Moore’s bass talents well in front of the mix (the way recordings ought to be). On a number of the tunes I detected the funky vibes of the Col. Bruce Hampton sound which I’m certain Moore picked up during the time he spent as a member of Hampton’s own Fiji Mariners and Planet Zambee ensembles. For those of you not familiar with the Col., it was he that helped launch the career of the now renowned bass artist, Oteil Burbridge. Also those of you well-versed with the Hampton library should immediately recognize the sounds of another Hampton sideman, guitarist Jimmy Herring, who appears as one of the many featured guest performers on SoulCloud.
Moore opens SoulCloud with a tight horn arrangement on DATZ IT (my favorite piece) and reveals his impeccable technique on acoustic and electric basses. Moore then presents us with the first of five original compositions with the fretless sounds of ASHES TO ASHES. Besides the phat funk grooves which Moore proves he can undoubtedly handle with ease, Moore takes center stage for a brief moment to exhibit his tasty solo slap chops on BIG BUTT BASS (very impressive indeed) before neatly sequeing into the album’s title track. Moore shifts to a trio format of electric bass, drums and sitar on PAUSE #3, an interesting piece dedicated to the late great Tony Williams. Next Moore offers you the listener the funky sounds of the very hip MUMPHIS COSANOSTRA. Then Moore continues to expand upon his deep-in-the-pocket bassmanship within the soulful sounds of COSMIC DANCE, another Moore original composition. Finally, Moore rounds out SoulCloud with two cover tunes, Led Zeppelin’s GOING TO CALIFORNIA is a brilliant duo arrrangement featuring the unlikely combination of electric bass and soprano saxophone. However, this is primarily a solo bass arrangement consisting of arpeggiated melodic, harmonic, and chordal content. I like how Moore tints the color of this piece with the short sax section that gracefully weaves in and out of the bass content. Moore then presents the listener with a jazzed up version of DUST IN THE WIND that highlights Moore’s upright skills during the outro solo. For those of you that discover the disc’s hidden track, you’ll hear the eerie harmonic-laden sound of ANOTHER DAY ANOTHER TIME. A solo bass piece recorded on a rainy afternoon in Memphis, Tennessee back in 1994.
Bottom Line: If you have never heard the talent of Joseph Patrick Moore, it is just a matter of time before you will.
Knoxville News Sentinel – January 19th, 1997 January 19, 1997
Knoxville News Sentinel January 19, 1997
Review by Wayne Bledsoe
Knoxville News Sentinel
Former Knoxvillian Joseph Patrick Moore has taken his funky bass to the wilds of Memphis. The bassist’s new disc, NEVER NEVER LAND is a likable collection of old fashioned funk and jazz fusion. The disc also features some of the cream of the Memphis Jazz scene. Cool tunes, including INTUITION and CORNER OF THE WORLD, are easy to listen to but are an edge above much of the lite jazz on the market. Moore and the band play with thought and feeling, and every now and then toss in a hot surprise. Some of the best cuts are filled with nice brass work, and soprano saxophonist Jim Spake often stands out in the talented group.
The disc may be hard to find, but its worth searching for.